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Key Films of 1915

Theda Bara and Edward José in Frank Powell's A Fool There Was (1915)

A Fool There Was (1915)

A Fool There Was catapulted Bara to stardom in a way no film actor had previously experienced - so it was perhaps inevitable that her star would shine far more briefly than most others

Reginald Barker's The Italian (1915)

The Italian (1915)

Leading man George Beban requested that Ince change the film’s title from The Dago to The Italian...

Henry B. Walthall in D. W. Griffith's The Birth of a Nation (1915)

The Birth of a Nation (1915)

Part 1: Griffith believed that The Birth of a Nation's grand scenario would facilitate his desire to progress film towards epic, grandiose feature-length storytelling.

Lillian Gish in D. W. Griffith's The Birth of a Nation (1915)

The Birth of a Nation (1915)

Part 2: "“Look, Mr Griffith. You’re staging a battle, right? You want realism, don’t you? Suppose someone does get hurt a little. Not much. A foot blown off or something..."

Walter Long in D. W. Griffith's The Birth of a Nation (1915)

The Birth of a Nation (1915)

Part 3: It is perhaps easier to consider The Birth of a Nation as a reflection of the times that spawned it: an era when racism was commonplace and often unpunished.

James Young's Hearts in Exile (1915)

Hearts in Exile (1915)

The official ban imposed by the UK on James Young's Hearts in Exile has never been lifted...

Robert Edeson and William S. Hart in Reginald Barker's On the Night Stage (1915)

On the Night Stage (1915)

Herschel Mayall's performance in On the Night Stage inspired silent screen heartthrob John Gilbert to become an actor.

House Peters and Blanche Sweet in Cecil B. DeMille's The Captive (1915)

The Captive (1915)

“Cecil was known for what he thought was realism. Well, he got it in The Captive when a man was actually killed."

Mary Pickford in James Kirkwood's Fanchon the Cricket (1915)

Fanchon the Cricket (1915)

Fanchon the Cricket marked the only time Mary Pickford shared the screen in a feature-length movie with her siblings.

Enid Markey in William S. Hart's The Darkening Trail (1915)

The Darkening Trail (1915)

Former cowboys who worked as riders and stuntmen at Inceville found Hart's perception of the Old West amusing, and... many found him to be pompous.

Mary Pickford in James Kirkwood's Rags (1915)

Rags (1915)

"Adolph Zukor knew Pickford was a big enough attraction to make even the most perfunctory material profitable..."

Rockliffe Fellowes in Raoul Walsh's The Regeneration (1915)

The Regeneration (1915)

"The police arrested Raoul Walsh, director of The Regeneration, and booked him for arson, indecent exposure and malicious mischief."

Clara Kimball Young and Wilton Lackaye in Maurice Tourneur's Trilby (1915)

Trilby (1915)

"James Young didn't like another director filming his wife, Clara Kimball Young, in a nude scene..."

Marie Dressler and Colin Campbell in Howell Hansel's Tillie's Tomato Surprise (1915)

Tillie's Tomato Surprise (1915)

The Script for Tillie's Tomato Surprise called for Marie Dressler to be mown down by an automobile, be shoved through a wall, bitten by her co-star James the Monkey and more...

Geraldine Farrar and Jeanie Macpherson in Cecil B. DeMille's Carmen (1915)

Carmen (1915)

When Geraldine Farrar, the star of Carmen, arrived in Los Angeles, school children scattered flowers from the private carriage of her train to the studio’s awaiting automobile...

Douglas Fairbanks in Christy Cabanne's The Lamb (1915)

The Lamb (1915)

Douglas Fairbanks resisted Harry Aitken’s first offer of a movie contract, worried that appearing in pictures would damage his reputation on the stage.

Dorothy Gish and Wallace Reid in John Emerson's Old Heidelberg (1915)

Old Heidelberg (1915)

Assistant director von Stroheim would have actors stand on parade each morning, and Dorothy Gish refused to kiss her leading man...

Charles Ray in Reginald Barker's The Coward (1915)

The Coward (1915)

Frank Keenan, the star of The Coward, was what those in the profession called a furniture actor...

Mary Pickford and Marshall Neilan in Sidney Olcott's Madame Butterfly (1915)

Madame Butterfly (1915)

Pickford remembered a “furious quarrel which ended in Olcott stalking off the set. I was shaking with anger…”

Douglas Fairbanks in Christy Cabanne's Double Trouble (1915)

Double Trouble (1915)

Douglas Fairbanks was filming Double Trouble when he first met Mary Pickford.

Sessue Hayakawa and Fannie Ward in Cecil B. DeMille's The Cheat (1915)

The Cheat (1915)

In Japan, Sessue Hayakawa, who plays the villain in Cecil B. DeMille's The Cheat, was condemned for promoting anti-Japanese sentiment.

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